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Buddhist sculptures were given more perfect images in order to express the spirit of rescuing all living creatures.[Source: Shanghai Museum shanghaimuseum-net / \ ] Good Websites and Sources on the Tang Dynasty: Wikipedia ; Google Book: China’s Golden Age: Everday Life in the Tang Dynasty by Charles Benn books.google.com/books; Empress Wu ; Good Websites and Sources on Tang Culture: Metropolitan Museum of Art ; Tang Poems enter Tang Poems in the search; Tang Horses ; China Vista ; “The Columbia Book of Chinese Poetry,” edited and translated by Burton Watson (New York: Columbia University Press, 1984); Website: You can help this site a little by ordering your Amazon books through this link:
Good Websites and Sources on Early Chinese History: 1) Robert Eno, Indiana University indiana.edu; 2) Chinese Text Project ; 3) Visual Sourcebook of Chinese Civilization depts.; 4) Ancient China Life ; 5) Ancient China for School Kids elibrary.sd71ca/subject_resources ; Good Chinese History Websites: 1) Chaos Group of University of Maryland edu/history/toc ; 2) WWW VL: History China it/history/asia ; 3) Wikipedia article on the History of China Wikipedia 4) China Knowledge; 5) e-book gutenberg.org/files ; Links in this Website: Main China Page factsanddetails.com/china (Click History) Books: 1) Benn, Charles, “Daily Life in Traditional China: The Tang Dynasty,” Westport: Greenwood Press, 2002; 2) Schafer, Edward H. RELATED ARTICLES IN THIS WEBSITE: TANG, SONG AND YUAN DYNASTIES factsanddetails.com; SUI DYNASTY (A. 581-618) AND FIVE DYNASTIES (907–960): PERIODS BEFORE AND AFTER THE TANG DYNASTY factsanddetails.com; TANG DYNASTY (A. 690-907) factsanddetails.com; TANG EMPERORS, EMPRESSES AND ONE OF THE FOUR BEAUTIES OF CHINA factsanddetails.com; BUDDHISM IN THE TANG DYNASTY factsanddetails.com; TANG DYNASTY LIFE factsanddetails.com; TANG SOCIETY, FAMILY LIFE AND WOMEN factsanddetails.com; TANG DYNASTY GOVERNMENT, TAXES, LEGAL CODE AND MILITARY factsanddetails.com; CHINESE FOREIGN RELATIONS IN THE TANG DYNASTY factsanddetails.com; TANG DYNASTY (A. 690-907) CULTURE, MUSIC, LITERATURE AND THEATER factsanddetails.com; TANG DYNASTY POETRY factsanddetails.com; LI PO AND DU FU: THE GREAT POETS OF THE TANG DYNASTY factsanddetails.com; TANG DYNASTY ART: PAINTING, CALLIGRAPHY AND BUDDHIST CAVE ART factsanddetails.com; SILK ROAD DURING THE TANG DYNASTY (A. 618 - 907) According to chinaonlinemuseum.com: “The Tang Dynasty is famous for its energetically modeled and brightly colored tomb figurines.
“The Golden Peaches of Samarkan,” Berkeley: University of California Press, 1963; 3) Watt, James C. Made from low-fired earthenware and intended exclusively for burial, these charming horses, camels, and civil officials have become immensely popular.
In their own day, however, they were neither in the forefront of ceramic technology nor highly regarded by collectors or connoisseurs.
They invented porcelain, underglaze painted décor, phosphatic glazes, perfected high-fired celadon, and experimented with cobalt blue glazes.
Their interest in single color wares, especially white ware, brown ware, celadon, and cobalt blue laid the groundwork for Song (960-1279) taste in monochrome glazes, refined ceramic shapes, and splashed brown and black wares.” ^|^ According to the Mc Clung Museum: “Relatively low-fired and light bodied, Tang pottery is typically composed of earthenware, a porous and permeable common clay.
The periods of Chinese Buddhist art closely parallel the phases the Buddhist religion went through in China.
Works that appeared in the 5th and 6th centuries were very free and individualistic.
These glazes were produced by melting lead with clay and then finely grinding the resulting glassy material before mixing it with water for application to the already fired earthenware.
These objects were buried in tombs to provide for the needs of the deceased in the afterlife.
[Source: “Reflections of a Golden Age: Chinese Tang Pottery,” Mc Clung Museum, December 13, 1997 |::|] “Preparations for the tomb, which usually began well in advance of death, included the purchase of literally hundreds of pottery ming qi, or “articles of the spirit,” such as figures of servants, musicians, and professional attendants; models of domestic and foreign animals; guardian spirits; and vessels from everyday life.
In the Tang period the art became more mature and robust, with Buddhist figures featuring graceful lines and curves.
In the 10th to 13th century Buddhist art became more refined.
Tang funerary vessels often contained figures of merchants. There are some works that have Hellenistic influences that came via Bactria in Afghanistan and Central Asia. Tang dynasty figures are known for their provocative poses.