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For two weeks, as soon as Joe woke up every day, there I was with the practice pad. Six weeks later he joined the Vince Guaraldi Trio, and played clubs in San Francisco, including several months at the Trident in Sausalito, and other well known clubs such as The Blackhawk and Jazz Workshop.He was so gracious, showing me the George Lawrence Stone finger control technique. I put in many hours every day trying to get it down, (I am still practicing mastering it! I had a lot more control with volume, and could play quietly with intensity, something that is tough for a lot of drummers. During this period, the trio played with such jazz greats as Ben Webster, Jimmy Witherspoon, and Gene Ammons. In January of 1963, he got a call from Victor Feldman who asked if he would be interested in going to Los Angeles to play a steady gig with his trio. The exposure of playing with Victor was tremendous.Find friends with benefits in Pleasantville at the ST today! Mingle2 is your #1 resource for flirting, sexting & hooking up in Ohio! Discover how easy it is to meet single women and men looking for fun in Ohio — from the comfort of your own home!
Bain continued to record, write, arrange, produce and for 22 years he held the guitar chair for one of the greatest television orchestras of all time The Tonight Show Band.Joe and I have been the best of friends ever since.”Jazz Impressions of Black Orpheus In 1961, Colin emigrated to the U. In February of 1962, the record Jazz Impressions of Black Orpheus was made, featuring the tune “Cast your fate to the Wind” which was Vince’s composition. Victor had heard the record and wanted Colin to be a member of his group. Local and visiting musicians would come into the club on Sunset Boulevard called The Scene to hear the trio play.It wasn’t long before Colin got a call from Dick Bock, the owner of World Pacific Jazz record label, to play on a single track with Clare Fischer, with Albert Stinson on bass.Using the same personnel (Clare, Albert and Colin) the album Catch Me was recorded. and on the road was extensive, playing and recording with, among others: Joe Pass, Victor Feldman, Joe Williams, Benny Goodman, George Shearing, Chet Baker, Hampton Hawes, Jim Hall, Red Mitchell, Roger Kellaway, Phil Woods, Pete Jolly, Ray Brown, Tommy Flanagan, Terry Gibbs, Buddy De Franco, Jimmy Rowles, Barney Kessel, Herb Ellis, Joao Gilberto, Peggy Lee, Tony Bennett, Coleman Hawkins, Gerry Mulligan, Michel Legrand, Dave Grusin, Harry ‘Sweets’ Edison, Clare Fischer, and Blossom Dearie. sound tracks that include: Emmy Awards, Fred Astaire Easter Show, Julie Andrews Show, Merv Griffin, and The Charlie Brown Christmas and A Boy Named Charlie Brown (Linus and Lucy specials with Vince Guaraldi.) He subbed for Ed Shaughnessy on the Tonight Show with Johnny Carson for six years, and the Carol Burnett Show. shows he played for every kind of music, from Beverly Sills (Opera) to James Brown.This was the start of a life long friendship between Colin & Joe. That same kind of friendship happened with The Victor Feldman Trio's Victor and Monty Budwig (the great bass player) and Colin. In September of 1963, Colin was called to sub for Tony Williams in the new Miles Davis Quintet. Miles had spent several nights at The Scene (the club that Colin was playing in with Victor Feldman) because he wanted Victor to be the piano player in his new band. There were more jazz greats to play for on various shows: Cannonball Adderly, Errol Garner, Lionel Hampton, Carmen Mc Rae, and Mel Torme. In 1979 Colin moved to Dallas to work in the jingle scene that was thriving there at that time.
They did seven recordings, and played the Blue Note clubs in Japan as well as venues in the U. He played on countless jingles, albums, and soundtracks for television and movies. Records by Frank Sinatra, including Young At Heart and Ive Got You Under My Skin, featured Bain on guitar, as did records with his favorite male vocalist, Nat King Cole including Unforgettable.